Vanya on 42nd Street

Vanya On 42nd Street comes out February 28th on the Criterion Collection label. This is Louis Malle's final film and it reunites him with André Gregory and Wallace Shawn of My Dinner With André. It's a completely different kind of work this time around yet no less compelling. André Gregory had been rehearsing Anton Chekov's Uncle Vanya for some time in a derelict Broadway theater. Although he never intended the play to be performed in the conventional sense, he would invite select audiences to attend the rehearsals. This film is a document of that --though it's by no means a documentary.

Document then became the order of the day for the packaging. I'll elaborate on the cover design process in a further post in the next day or so  --along with some alternate cover designs I want to share. For now, here is the cover as well as menu designs for the DVD.

The cover photograph is by Brigitte Lacombe. Photography for the menus --as well as many throughout the booklet-- are by actress, Brooke Smith documenting rehearsal, film production and her time in general with cast mates and, no doubt, fond friends.

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"The symbol became so synonymous with the film that it was possible to remove the actual text of the title in certain instances." Saul Bass, A Life in Film & Design Jennifer Bass & Pat Kirkham This clipping from the Los Angeles Times amply makes the point. It gives too a sense of what typical newspaper film advertisements looked like then and how much Bass's work challenged those conventions.

This post, as well as the two following, show some Anatomy of a Murder material you won't find in the Bass biography. But then it would have been considerably more than 424 pages to include everything that came out of his studio. Get this book!

• Saul Bass, A Life in Film & Design

Anatomy Of A Murder



The Criterion Collection will release Otto Preminger's Anatomy of a Murder on Tuesday, February 21. Really, what else could possibly make the cover but the great, Saul Bass poster art for the film's original release? Bass wrote the book on film branding and he did far more than the iconic anatomized silhouette that adorns the one sheet. He developed a campaign which was rigorously applied to a host of collateral materials: press releases, letterheads, screening invitations etc. which culminates in one of the great title sequence experiences designed for film.

Criterion enabled me access to the Saul Bass Papers at the Academy of Motion Picture Arts and Sciences/ Margret Herrick Library where I was able to see first hand those materials. Exciting stuff for this graphic designer, film buff and resident Angeleno. It hugely informed the design of this release.

Presented here, in addition to the cover featuring the aforementioned Bass one-sheet art, is the wrap-around cover for the booklet insert --my version of another, lesser seen Bass one-sheet-- as well as some examples of the DVD menus. Thanks and much appreciation to producer, Susan Arosteguy, art director, Sarah Habibi and art production coordinator, William Brese.

Click any image to enlarge.